Latest and last from the Brighton studio (version 2, extended by popular request).
Tesselations
Final release of “Tesselations”, based on “Tesselations for Solo Piano” by Suzie Shrubb.
Thanks to all those who have provided feedback, and especial thanks to Suzie for letting me use her beautiful composition.
Note: this piece has some very deep bass notes and some very high ride cymbals and white noise. Please listen to this on equipment that can reproduce these sounds effectively!
You can also find this on the album “Reflections“.
Cover photo “Tesselations” by MC Escher.
Thirteen Eight from Siliguri Junction
Latest offering from the Brighton studio: India, steam trains and a 13/8 time signature – what’s not to like? Thanks for your feedback, this is now finished and can also be found at its official home on the music webpage.
Serenade
First new piece for a couple of months. This time classical, with a string quartet (two violins, cello and contrabass). Comments please.
Frère Jacques and the Three Blind Mice
The final version is now in the main Music > Audios section, in the album Reflections, and by clicking the play button below.
Carbon Sequestration using the Destructive Distillation of Wood
Wood contains a huge variety of organic substances and minerals which can be separated using a process known as “destructive distillation”. As heat is applied in the absence of oxygen, wood splits (“cracks”) into its constituents in reverse order of volatility; some of these will decompose further or polymerise into components not in the original wood. The resulting mix is highly dependent on the temperature profile applied and, to some extent, on the type of wood. Fractional distillation enables liquids of different molecular weight to be separated by differential condensation.
Broadly speaking, this mix consists of substances which at room temperature are either:
- gases (eg. methane, ethane, ammonia, propane)
- liquids (eg. methanol, octane, coal oil) or
- solids (eg. tars, charcoal)
The solids are those with the highest carbon content and the gases those with the least, the main other elements being hydrogen and oxygen with comparatively small amounts of nitrogen and minerals.
What is proposed here is to grow a biodiverse forest and harvest the wood in a sustainable way to produce:
- fuel from the gases and liquids
- a carbon sink from the solids
This process will be highly carbon negative: the fuels will simply be returning the carbon dioxide used to make them back to the atmosphere and so be carbon neutral, the carbon sequestered will remove the majority of the carbon captured in the growing process.
This could also be appied to existing fossil fuel reserves, the difference being that burning of the resulting carbon-light fuels would not be carbon neutral in this case, however the space created could be used for burying carbon from other sequestration sources.
Comments please.
The Restless Mind
After welcome feedback from friends and a few nips and tucks, here’s the final version of this track. Enjoy!
Now part of the album Reflections.
Jacques & Three Blind Mice go on Holiday
New music track, initial version for testing and comment.
Alien spaceship lights up West Pier
For many people Brighton’s West Pier is a relic from a bygone age, a victim of arson, a landmark failure of common decency in the face of greed and corruption.
It is a little known fact that, since its demise on 11th May 2003, it has been anything but a victim or a failure. It was requisitioned as an antenna for guiding alien spaceships to the Brighton Pride festival where aliens could blend in seamlessly with the LGBTQ+ community and enjoy their time on Earth without fear of discrimination or harassment.
Stonewall has denied that requests have been made to have a more inclusive gender categorisation encompassing carbon-based life forms from other planets that have more than two sexes. The woke debate continues apace.
Re-release of Delhicatescence
This track has been remastered to bring out the voices using a new dynamic filter called Trackspace. That and a few other tweaks here and there. This is a trial version for assessment in different environments and on different equipment – and different ears. Comments welcome.
Note: this audio file is constantly being updated, so it’s likely a later version than you last heard.